GLASS GALORE! @Sculpture in Context,2013

Sculpture in Context - a must see event on the Dublin art calendar.

Set up in 1985 by sculptors who wanted to create exhibition space outside the normal white-cube gallery, Sculpture in Context now sees the grounds, ponds and glasshouses of the Botanic Gardens transformed each September into the biggest and most prestigious outdoor exhibition in Ireland.

      Sticky Bog Sundew - Gwyn Grace                        Vessels (of Remembrance) -  Alison Lowry 

This year over 150 artists from Ireland and abroad are exhibiting their work. 

Application is open to everyone and the successful applicants are selected by a panel of judges which changes annually. Thanks to this very democratic selection process there is always a great variety of entrants ranging from students to established artists and together working in almost every medium imaginable. 

The packed opening night reception

We know that we’re ever so slightly biased here at GSoI but as in this case the figures speak for themselves - Irish glass artists really held their own in the Gardens this year. 

There were 12 notable glass pieces amongst the collection from artists;

Karen Donnellan

 Naomi Draper

 Gwyn Grace 

Jesse Gunther,

Eve Kelly

Paivikki Kolehmainen (Finland) 

Alison Lowry

 Charlene McFarland

 Meadhbh McIlgorm 

Kira Myer

Sadhbh Mowlds 

Mags O’Dea.  

Further more, 2 out of the 3 Sculpture in Context Awards for large outdoor works of distinction in any medium were awarded to NCAD glass students: Jesse Gunther for his piece 'Desert Ophidians' (on view in the cactus house) and Mags O'Dea for her installation 'Tree Dressings' (a site-specific glass installation on a particularly weathered tree). Both Mags and Jesse received €500 each - well done guys! 

'Tree Dressings' - Mags O'Dea

The delighted Mags O'Dea with her prize

Both pieces were a big hit with the guests on opening night - watch this space - one of them could well be winning the prize for the most popular sculpture at the end of the exhibition in October.  

'Desert Ophidians' - Jesse Gunther 

The exhibition runs from September 5th - October 18th. Full programme of artists available in the visitor centre. 

Garden opening hours: 
Monday - Friday 9am to 5pm
Saturday & Sunday 10am - 6pm

Admission Free, Car Park €2

Karren Donnellan - Present Moment Reminder

 A visit to this exhibition is a lovely day out for all the family and a chance to see some very talented artists work outside the often intimidating setting of a gallery exhibit. 

So be sure to take a very cultured and colourful stroll through the Botanic Gardens before October 18th. 
We promise you won't be disappointed. 

Artists Michelle McDermott, Gwyn Grace, Mags O'Dea and Tara Butler-Frey
the enjoying opening night celebrations

Written by: Meadhbh McIlgorm 

ORIENTATE Symposium: Online booking now opening

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Great news! Tickets for our Oct/Nov events are on sale now. We have a fantastic line up of international presenters for the Orientate Symposium in Cork including our keynote speaker Francesca Giubilei from GLASSTRESS (IT). There are also places available on our workshops in Cork and Dublin! Angela Thwaites will be leading a Glass Casting workshop in the National College of Art and Design (Dublin) and Cappy Thompson will teach a Glass Painting workshop at the National Sculpture Factory (Cork).

Buy Tickets HERE

GSoI Nov Events 2013

So we have had a very busy year so far at GSoI but its not over yet! In Nov we will be having  a series of exciting events in both Dublin and Cork - workshops, an exhibition and a conference with a fantastic line up of speakers...

 Here's a little taster so you can be sure to put us in your dairy!

CultureCraft: Craft in the Making @ The London Street Gallery, Derry

(If you haven't seen it yet there's still time, but hurry the final day, August 22nd is fast approaching!)

 CultureCraft: Craft in the Making is an engaging exhibition at the London Street Gallery that challenged 37 craft artists to create an original work in response to the question of culture and how that may or may not play a role in their practice. 

Derry-Londonderry has been named as the inaugural UK City of Culture 2013. CultureCraft is part of a series of events across the city that is both a response to and a celebration of the city's great achievement. The exhibition venue is located in the old part of the city, near the iconic walls so central to the political and cultural heritage of the city. The temporary gallery can be seen as a key symbol in the regeneration of a city with a rich but not always rosy history. It aims to promote both established and emerging artists and preform a social role within the arts community of the city.

Seliena Cloyle at CultureCraft

Derry native and contemporary jeweller Seliena Coyle curated the exhibition and it is safe to say that its outstanding success is a direct result of her passion and enthusiasm in the cause of promoting Irish craft and culture. Seliena's personal work is heavily involved with developing a new jewellery aesthetic that is sensitive to Irish heritage and cultural traditions. Asked about the exhibition she remarked that, 'People involved in craft will be surprised by this exhibition. Nothing of this standard in craft has ever happened before in the North West. It is going to be a real showcase for craft in Derry, and hopefully will inspire and create an environment where contemporary craft will be embedded in the city.'

The artists own cultural identities and backgrounds are as diverse as the materials they work with. Ranging from recent graduates to established professionals and educators in the fields of textiles, jewellery, glass, ceramics, felting, metalwork and mixed  media they are the crème de la crème of contemporary Irish craft-artists. CultureCraft aims to introduce the concept of craft as a vehicle for creative expression equal to the traditional 'fine arts' so both the artistic intention and the highly skilled craftsmanship are highlighted in the exhibition. 

Participating artists with the mayor of Derry

Here's a full list of participating artists: 

Glass work from Scott Benefield @CultureCraft

Tom Agnew, Neil Read, Alex Scott, Adam Frew, Peter Meanley, Gail Mahon, Peter Fulop (Glass) Scott Benefield, Caroline Madden, Peadar Lamb, Alva Gallagher, James Toal, Charlene McFarland Stuart Cairns, Rachel McKnight, Eily O Connell, Sabrina Meyns, Justyna Truchanowska, Cara Murphy, Angela O Kelly, Grainne Morton, Nigel Cheney, Helen McAllister,  Mary Cullen, Tara Ní Nuáillan, Liz Nilson, Caroline Schofield, Logan McLain, Brigitta Varadi, Liam Flynn, Joe Hogan, Richard Sinclair, Seliena Coyle, Deirdre O Callaghan, Suzanne Woods  

Nigel Cheeny's  printed and embroidered
tape measure @CultureCraft

It is often said that one of the reasons contemporary craft has a difficult time competing in the art market is the lack of critical and academic writing on the subject. Thankfully, the exhibition is contextualised by essays from a number of  leading academics, including Dr Audrey Whitty, Dr Jessica Hemmings, Dr Joseph McBrinn and Professor Declan McGonagle. Their essays will all feature in the CultureCraft catalogue, which will be available soon. 

Well done to all involved with this excellent exhibition and lets hope to see more like it soon.  

The project is sponsored by; Derry City Council, The Arts Council of Northern Ireland, Craft NI, Crafts Council of Ireland, Creative Village Arts, Inner City Trust and The Culture Company.

Check out this exhibition: London Street Gallery opening times: Tuesday - Saturday; 11am-4pm until August 22nd. Free entry, all welcome! 

For further information about the exhibition please contact:

culturecraftinthecity@gmail.com

londonstreetgallery@gmail.com

Web-links:  

http://www.londonstreetgallery.org

https://www.facebook.com/#!/pages/CultureCraft/145233802309679?fref=

http://pinterest.com/seliena/culturecraft/

Written by: Meadhbh McIlgorm 

Shanghai in Cork

Yanyan Wong and Shihui Zhang are exchange students from the Shanghai University of Fine Art. They spent three months in spring practicing glass, ceramic and textiles at C.I.T Crawford College of Art and Design, Cork. After six weeks of dedicated work, the girls showcased some pieces in the recently renovated foyer area of the college. 

Everybody at the college was delighted to see an influx of new and interesting material, and also such a great volume of work after six weeks. The girls were so friendly and enthusiastic; they really made their mark on the students. Not only was their lunchtime showcase pleasing to the eye, there was a wonderful social element between the girls, the students and our tutor, Debbie Dawson. It was a pleasure to be present at what may be the first of many glass showcases in the college. The new Applied Art course is starting up next September, our little glass community in the college will hopefully blossom.

Yan’s work uses glass, ceramic and textile.  Her practice is about flowers floating on the River Lee. She discovered the idea when she was rowing on the River Lee on her first Saturday in Cork. A beautiful permutation occurred in this work where Yan was able to merge the primary materials of glass, ceramic and textiles. Combining these materials brings about a new understanding of these elements; weight, density, texture. The transparency and two dimensional qualities of the glass give way to the more solid and three dimensional qualities of the ceramic. A beginning; Yan certainly seems to be creating something exciting here. She is intuitive, a quality that I have heard students speaking of at the Shanghai Academy. However, this natural intuition is always accompanied by careful consideration of the process.      

Focusing on material properties, Yan has used hard and soft material together. She describes this piece as “a contradictory work”. It’s a delicate type of contradiction. The glass is etched and then, like a patchwork quilt she has very affectionately worked the fibers around each panel. This work is one that is much more poignant when seen in the flesh. Gorgeous meditative oranges and subtle hints from other palettes flow. The river is truly present here. The piece is a river itself and each panel is presented as moment from its surface. It is a mix between a traditional Chinese scroll, a patchwork quilt, and a stained glass panel. We can see a beautiful synthesis of antiquity, complemented by a subtle sense of inventiveness. 

Shihuis’ work is about shape. She states “The most simple shape of the world is round, square and triangle”. She uses the plane of shape and the plane of material to make three-dimensional effects. Her work, in contrast to Yan’s, is more design based. The very careful execution of this simple concept makes for an interesting consideration of form. One associates the work with the inner workings of the cosmos; shapes construct other shapes, which in turn construct other shapes and so on. This approach plays on micro and macro imagery. Exploring how we all exist in this world in a physical alliance. It speaks of symbiosis; it is organic yet can also place itself in the realms of something practical and mathematical. Shihui had worked on many ways of conveying this sense of shape. It is simplicity she admires the most. This has provided an excellent platform from which to continue her endeavors. I am excited to see her progression with the work once she has settled back in Shanghai.

The quality and quantity of the work after just six weeks was something that took our students by surprise. We have all heard of the Chinese work ethic, however the girls seemed to have this and also some another magic behind them. Their dedication to all materials under investigation is to their credit. They dealt with each element appropriately and appeared to have no discomfort in showcasing their works or experimenting. They are proud and genuinely interested in both the material and conceptual relationships between the maker, material and the other life that the work emanates after it is has been granted freedom in the artistic realm. The girls visit was something of an inspiration, they displayed a mystical sense of wonderment about them. They carry themselves with an honest, polite grace that can be seen through their work. It is this honesty and pursuit of the self that has certainly rubbed off on myself and a notable few that have been to Shanghai on exchange, but also those who shared our glass-workshop with them. I feel as though I have visited their culture, I have yet to discover in what way. 

Written by Róisín Foley, C.I.T CCAD Glass, R.E.P Glass Society of Ireland

Mud & Sand at Gallery Zozimus

Third year Glass and Ceramic students in NCAD have been very busy these last few weeks, labouring on while the newly graduated 4th years finally relaxed All their hard work paid off however at the opening of Mud & Sand last Thursday at Gallery Zozimus on Francis St.

Zozimus represents over 120 artists and is Dublin's only ceramics gallery. Just around the corner from NCAD, the gallery has a strong relationship with the college and regularly exhibits work from ceramics undergraduates Their exhibitions have always been a great success for gallery and artists alike and this one was no different - opening night saw the gallery full to capacity and a lovely evening was enjoyed by all. 

The work on display is as diverse as the students who made it; from Kathy Burke's  carefully considered ceramic multiples to Etaoin O'Reily's playful and brightly coloured 'Buggaplants' the work displayed shows personality and craftsmanship. It is no surprise to see little red-stickers popping up all over the exhibition - these beautiful pieces, are very reasonably priced.  

The 3rd year glass students; Mags O'Dea, Gwyn Grace and Sadhbh Mowlds  stood their own amongst the larger number of ceramics students showing both blown and fused glass work.

 Mags O'Dea presented 'Transparent' which comprised of delicate pate de verre sculptures of hot-water bottles on wiry beds. Her work emphasises the limitations of social care in hospitals. It is worth noting that Mags worked as a theatre nurse before deciding to pursue art so no doubt the subject is close to home. 

The hot water bottle is a metaphor for the patient’s feelings of isolation and vulnerability, it's position on the unforgiving wire mattress highlighting the lack of homely comfort and security patients feel as they wait on trolleys.  

Gwyn  Grace  presented 'Boglands' a  collection of   sculptural vessels in patte de verre glass, the fragility of which depicts the delicate state of the Irish bog-lands; her forms and colours came from the tiny Sundew plant, a protected species, native to the bog. 

Pate de Verre is a technique of making glass forms out of crushed glass powder. While the technique allows for a great deal of detail with colour it is notoriously delicate.  

Gwyn has been involved with the Irish Peatland Conservation Council for a number of years and this project  was inspired by  her work with them. 

Last but not least Sadhbh Mowlds presented 'one man's trash...  is another woman's weird obsession'. These beautiful cane-worked glass plastic bags blowing in the imaginary wind are about the significance of a common object that is often overlooked and also about translating the ephemerality of billowing plastic into something solid and frozen. 

Sadhbh, Mags and Gwyn will all be showing work in the Botanic Gardens exhibition, Sculpture in Context in September. 

Well done to all the artists showing in Gallery Zozimus at present, the hard work shows. If you haven't seen it yet there's still time, the exhibition runs until July 7th!

Written by Meadhbh McIlgorm 

NCAD end of show: Student Profiles

The final installment from NCAD's glass degree show 2013 and last but definitely not least Michelle Mc Dermott:

Michelle has a great interest in visual world around her, being particularly drawn to nature and organic forms. Her research takes her to many parks and gardens where she gathers this visual information, ready for manipulation in the studio. She says that ‘from a good image many ideas can flow’. Her interest in photography enables the production of these inspiring images.

The forms presented in the degree were a series of decorative panels developed from this study of organic objects. They have used multiple firing techniques and often encompass layers that give the flat panels a sense of dept. The shape used for the panels is a simple but effective leaf motif which provides a connection between their surface decoration and the form.

The result is a wall that looks like a magical plant climbing its way up to the light. The drawings are sensitive and the use of colour is minimal. The delicately of this approach creates an atmosphere which invites quite reflection.

I would like to take this opportunity on behalf of the Glass Society of Ireland to wish the new graduates all the best in future and we look forward to hearing about all your up and coming exhibitions – stay in touch!

written by Fiona Byrne

NCAD end of year show: Student Profiles

As promised talented graduate number two – Meadhbh McIlgorm

Meadhbh has recently been awarded the CCOI Future Makers Student Award and one of her pieces was selected for the RDS Craft Exhibition. Watch this space!

Meadhbh’s work is an installation made up of numerous ‘intangible’ objects. The delicate pieces are suspended within the space creating a refraction of light and casting thin shadows. These light and dark elements are as much a part of the work as the glass itself – they are the finishing touches.

In her own words Meadhbh is ‘attempting to capture both the tangible and intangible essence of cloud formations’. The beginning of this exploration was research into the manipulation of light. The changeable nature of light and the challenges involved in capturing some of its magic has been approached here with skill and consideration. The result is a piece of work which captures the fragility of glass. The wispy shapes look as if they would crumble if touched (although Meadhbh told me they were tougher than they looked!).

I asked a little about the process of making this work and Meadhbh explained how the forms are heated in a kiln, letting gravity act of the glass allowing an element of random formation. This seems an apt approach to the chaotic but beautiful objects which this process creates.

The pieces will be displayed in Sculpture in Context in September so if you missed this show stopper at the degree show you have been granted a second chance!

Written by Fiona Byrne

Glass at NCAD end of year show

Hi all sorry for the lack of blog posts recently it has been a busy time for us all at the Glass Society. We will have a shiny new webpage soon and our wonderful student rep Meadhbh McIlgorm has taken over from myself as the Media and Communications Officer. But before I hand over completely I wanted to share the amazing talent in this year’s National College of Art and Design degree show which featured: Jesse Gunther, Meadhbh McIlgorm and Michelle Mc Dermott.

We will be presenting a blog feature on each of the above newly hatched glass artists.

First up is Jesse Gunther:

Jesse’s work is a stunning combination of glass and metal work. The hugely labour intensive process used to create the glass components has resulted in wonderfully crafted pieces that are finish to an incredibly high standard. His use of metal started in his Dad’s workshop before college but it did not inform his art work until the creation of a piece for Sculpture in Context at the Botanical Gardens last year.

The appearance of his work seems futuristic and almost otherworldly. When I questioned him on this he said that all the forms for the pieces actually found their routes in nature. His artist’s statement describes how this series of biomorphic, hybrid sculptural forms represent an aesthetic exploration of a variety of natural organisms. He borrows features from insects such as dragonflies and invertebrates such as squid.

If you want to see these beautiful creations in the flesh the show is open until the 22 of June so there is still some time!

Written by Fiona Byrne

Glass Society of Ireland - Mission Statement

The Glass Society of Ireland is made up of people whose interests or professions significantly relate to the specific material of glass.  Drawing from diverse creative and enterprising fields including art, design, craft, research, collecting and the historical context, we are a volunteer-run organisation whose interest in glass provides us with a mutual cause for conversation.

 It is the primary objective of the Glass Society of Ireland to continue to support established practitioners in Glass whilst fostering new talent. We also aim to create opportunities to communicate with each other and to engage with new audiences. This is achieved through a number of platforms: exhibition-making, holding events such as conferences, workshops and public talks, networking through social media and information distribution through our website, blog and monthly e-bulletin. Through these activities, professional connections are established both nationally and internationally.